Lingyi Kong
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GOODBYE, ICARUS
*(Graphic Novel), (Editorial Design), (Creative Coding), (Interactive Design)



Goodbye, Icarus is an integrated design project published in Providence, Rhode Island, at the end of 2023.

The work explores the interplay between possibilities and limitations through the experimental use of creative coding, design narratives, and storytelling, seeking to bridge the gap between the digital and the physical.






ARRIVING AT THE EXIT
RISD MFA BIENNIAL IDENTITY 2024

*(Creative Coding), (Branding Design), (Identity Design)


This is the identity designed for the 2024 RISD Illustration MFA Biennial Exhibition.




FUTURE ARCHAEOLOGY:
EUCLASE TABLET


*(Exhibition Design), (Typeface Design),  (3D Design), (Book Design)



"Future Archaeology: Euclase Tablet" blends graphic design with historical and futuristic themes, creating a fictional record of an archaeological discovery.

The work examines vulnerabilities through visual design, addressing the experiences of marginalized communities during crises and questioning historical continuity and societal divides.






NEW ENGLAND CONSERVATORY 2024
DEGREE PROJECT IDENTITY

*(Art Direction), (Motion), (Typography), (Identity)


“Her Way Home” is the identity design for NEC's 2024 graduating performance. The motion extract of the context “extending way” aims to connect Asian artists with their sense of home, cultural background, and nostalgia.




LOVE IS BLIND- “Narrative of Love” International Poster Biennial

*(Coding), (Motion), (Poster)


"Love is Blind" is a visual acuity chart to symbolize love's impermanence, loneliness, and illusion of fulfillment.

The poster shows how love's blindness envelops individuals, revealing only 愛 (the Chinese character for love) regardless of clarity or perception.